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Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: Mrs Albert Broom And The WFL

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Coronation Procession - WFL

A ‘close-up’ photograph by Mrs Albert Broom of women from the Women’s Freedom League section of the suffragette ‘Coronation Procession’ held on 17 June 1911. The image is very crisp and clear. Many of the women are wearing academic robes – one is carrying a satchel from which to sell WFL badges and postcards of the WFL leader, Mrs Despard. I think that the figures in the lead (to the left of the picture) are carrying a banner, doubtless that of the WFL, and other smaller banners are also there in the picture.

Suffragette Film Poster 2

For details of the exhibition ‘Soldiers and Suffragettes’ featuring the photography of Mrs Albert Broom see here.

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.


Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: Annie’s Bracelet

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Christabel bracelet

A 9 ct gold bracelet, very pretty, the outer engraved on one side with decorative scrolls. But it is what is engraved inside that is the secret of the bracelet’s significance..

On one arc of the circle:

‘To dearest Annie with all my love & in recollection of our great day out’

Christabel bracelet 1

and, on the other,

Christabel bracelet 2

‘Christabel Pankhurst, Hyde Park June 21st 1908’.

Annie Kenney was Christabel’s most faithful follower, her love and admiration for Christabel – and Christabel’s acceptance and acknowledgment of this loyalty – made clear in letters and in Annie’s autobiography. But this bangle is, as far as I know, the only object that testifies to the peculiar bond between the two young women.
Annie, who had worked in a mill from the age of 10, had first come under Christabel’s spell in the spring of 1905 and a few months later, in October, spent a week in prison with her after they had heckled a Liberal meeting in Manchester. This imprisonment marks the beginning of the WSPU’s militant campaign.

Annie’s life was changed for ever. As she wrote, ‘My pleasure came from seeing Christabel’s face light up with a light that later in life I discovered meant victory. Her confidence in me gave me confidence in myself.’ And when they were together in prison – ‘I remember going to Church and sitting next to Christabel who looked very coy and pretty in her prison cap. She took my hand tenderly and just held it, as though I were a lost child.’

Nevertheless that ‘lost child’, backed by Christabel’s confidence, became one of the WSPU’s leading organisers. Indeed, after Christabel left for Paris, Annie acted as her deputy, putting into effect the absent leader’s commands.

But before that, for the ‘great day out’, ‘Women’s Sunday’, the first great WSPU rally, held in Hyde Park on 21 June 1908, Annie bought a hat from Liberty’s (£1/2/6) and led the procession that started at Paddington – being at the time WSPU organiser in the West of England. Once in the Park she was the principal speaker on Platform 3.

Christabel’s gift of the bracelet recognises the significance of the ‘great day out’, marking the WSPU’s entry into a world of polished performance and Annie as one of its stars.

As Annie wrote many years later in her memoir, ‘There is a cord between Christabel and me that nothing can break – the cord of love. Distance or absence makes no difference.’ Here is a tangible – and unique -emblem of that affection.

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

 


Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’:’Justice Demands The Vote’ Poster

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Justicee Demands the Vote 1

This image (courtesy of Schlesinger Library) is of an English poster. I was fortunate enough to buy one of the originals of this poster at auction some years ago. This was before the days of digital cameras, which is why I, alas, don’t have my own record of it.

The poster was issued by the Brighton and Hove Women’s Franchise Society c 1908. This society had been founded – or re-founded, because there had been an earlier suffrage society in the town in the late 19th century – in 1906.  The Brighton and Hove Women’s Franchise Soceity was a local committee of the non-militant London Society for Women’s Suffrage – that is, a member of Mrs Fawcett’s National Society for Women’s Suffrage.

The artist of the poster is not recorded – but there were no shortage of women artists living in and around Brighton. It was printed by Weiners Ltd of Acton, who also printed posters for the Artists’ Suffrage League.

The message that the poster conveys – that middle-class women were campaigning alongside and on behalf of their poorer sisters – is a theme developed in the film, ‘Suffragette’.

For more about suffrage in Brighton see my The Women’s Suffrage Movement: a regional survey (Routledge, 2006)

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

 


Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: The Morrison Collection

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item – or, in the case of today, items – that have passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s images: The Morrison Suffrage Collection.

Evelyn Morrison's WSPU regalia

The Morrisons’ WSPU regalia

Evelyn Mary Fanny Matilda Murray was born in New South Wales, Australia, c 1850. She was the daughter of Sir Terence Murray, (President of the NSW Legislative Council) by his first wife. She was, therefore, half-sister to Sir Gilbert Murray, later to become Regius Professor of Greek at Oxford, who was a son of the father’s second marriage. [Gilbert Murray’s wife was a daughter of Lady Carlisle and for many years president of the Oxford Women’s Liberal Association.]

By the mid-1870s Evelyn Murray was married to a Robert Morrison. They had a daughter, also named Evelyn Morrison, born c 1881. At some point Robert Morrison died and it was as a widow that Mrs Morrison, with her daughter, Evelyn, arrived in Britain sometime between 1891 and 1901. Mrs Morrison ‘worked’ for the Liberal Party before becoming involved with the WSPU.

Her daughter, Evelyn, was a university graduate (possibly of Bedford College, but I am not sure. Certainly she was not a graduate of an Oxford or Cambridge college because she was able to style herself ‘BA.’)

The younger Evelyn was a WSPU speaker and in February 1910 was elected joint honorary secretary of the Kensington WSPU.

DSC00005

Miss Evelyn Morrison was a ‘Group Captain’ in charge of Section One of the WSPU’s spectacular procession to Hyde Park on 21 June 1908.

DSC00028

It would be for this that she made the ‘Group Captain’ sash.

DSC00004 I am pretty sure that the ‘Votes for Women’ sash also belonged to her.

Evelyn Morrison

Here is Miss Evelyn Morrison wearing just such a sash – in a procession alongside Mrs Pankhurst.

Morrison 1910 deputation

This is the ticket issued to Mrs Morrison for a 22 November 1910 WSPU meeting in Caxton Hall. However, as we can see from the hand alterations to the ticket, the date was brought forward.  The collection included two telegrams to Mrs Morrison, dated 15 Nov 1910, rescheduling the date of deputation to Parliament in which she was to take part.

The new date of Friday 18 November became notorious in suffragette history as ‘Black Friday’ when Parliament Square became the scene of a near riot and many women were assaulted by the police. Mrs Morrison was there, wearing the ‘Deputation’ silk insignia that appears in the first photograph. Incidentally, the film’ Suffragette’ includes a scene of frantic suffragette protest immediately outside Parliament

Mrs Morrison was arrested and the collection included the order issued by the Metropolitan Police, ordering her the appear the next day at Bow Street Police Court. The charge was one of ‘wilfully obstructing Police whilst in the due execution of their duty’. The charge against her, as against all the other women arrested on Black Friday was dropped and Mrs Morrison was discharged.

Another telegram was included in the collection, sent from Mrs Morrison to her daughter from Southampton Street close to Bow Street court, dated 19 November, to say that she and all the others arrested with her the previous day had been discharged. The Home Office had decided it was not politic to charge so many women – 220 had been arrested on ‘Black Friday’.

Morrison gun licence

On 4 July 1912, in the genteel setting of Church Street, Kensington, Mrs Morrison was issued with a gun licence. Why should she require to carry a pistol? At this time WSPU militancy was reaching fever pitch – with Mrs Pankhurst being regularly arrested and then released after hunger striking. It is interesting that this particular piece of paper has survived alongside the other, solely suffrage, material. The inference is that the issuing of the licence was not unconnected with Mrs Morrison’s involvement in the suffrage movement.

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

 

 

 

 

 

 

 

 

 

 

  • Letter from Evelyn Sharp to Miss Morrison, dated 21 March 1909 thanking her for organising a WSPU meeting (at which Christabel Pankhurst had been the main speaker)
  • Cyclostyled letter from Christabel Pankhurst – probably to Mrs Morrison – it dates from November 1910 and refers to meetings being held at the beginning of the week after the deputation in which she took part.
  • Gun Licence issued to Mrs Morrison on 4 July 1912. This was at a time when WSPU militancy was reaching fever pitch – with Mrs Pankhurst being regularly arrested and then released after hunger striking. It is interesting that this particular piece of paper has survived alongside the suffrage material. The inference is that the issuing of the licence was not unconnected with Mrs Morrison’s involvement in the suffrage movement.

 

Framed items

 

1) Together in one frame – three telegrams

 

Two telegrams to Mrs Morrison, dated 15 Nov 1910, rescheduling date of deputation to Parliament in which she was to take part. This was to become notorious as ‘Black Friday’ when there was a near riot in Parliament Square and many women were assaulted by the police.

The third telegram (the one in the centre) is from Mrs Morrison to her daughter, sent from Southampton St close to Bow Street court, dated 19 November, to say that she and all the others arrested with her the previous day had been discharged. (The Home Office had decided it was not politic to charge so many women – 220 had been arrested on ‘Black Friday’.

 

  • In the second frame

 

The order issued by the Metropolitan Police when Mrs Morrison was arrested in the course of ‘Black Friday’, ordering her the appear the next day at Bow Street Police Court. The charge was one of ‘wilfully obstructing Police whilst in the due execution of their duty’. As we have seen the charge was dropped and Mrs Morrison was discharged. NB Inspector Crocker, who signed the charge sheet, was involved for many years in pursuing suffragettes.


Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: Palmisting For The Cause At A Café Chantant

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Cafe Chantant NUWSS Dec 1909 - Copy

For the suffrage movement was not all about militancy and processions. Money had to be raised to pay for the campaigning and for the management of the rapidly-developing organisations – and much of it was done in the time-honoured way of bazaars and balls. Here is a flyer for a Café Chantant organised by the London Society for Women’s Suffrage in December 1909.

The flyer comes from the collection of Kate Parry Frye, where it lay between the pages of her diary in which she describes the event itself.

She was living at home in North Kensington and had already had some experience as a reader of palms at earlier suffrage fund-raising events. On 6 December 1909 Kate wrote:

‘Agnes [her sister] and Katie [Finch-Smith – neé Gilbey -her cousin] arrived about 12.30. I had lent Katie a white dress as she had not got one and she had brought up the regulation white cap and apron and I also supplied the colours. I wore my best. We started off just before 2.30. One bus to the Grove [that is, Westbourne Grove] and another to Kensington and to the Town Hall for the Café Chantant got up for the Funds of the London Society and National Union.

It began at 3 o’clock. Katie left her things in the cloak room and we all went upstairs together. Agnes had to pay her 3/- to go in and for tea but Katie and I went in free. I found Mrs Rowan Hamilton who had charge of the Palmists and she hadn’t got me a table and I would not begin till she had one brought. I had told her two chairs and a table would be required. I had a little spot close by screens – my name up – ‘Katharine Parry’ – spelt wrong of course. I was just beside the tea tables so I could be near Katie till the fun began. We introduced her to lots of people. I hoped she enjoyed it but I think she got very tired.

 Miss Lockyer [she had been housekeeper to the murdered storekeeper, William Whiteley] with a friend came very early and I am afraid did not enjoy herself much. I just spoke to her but could not leave my corner and she thought 2/6 too much to consult me – it was a lot. There was another Palmist ‘Ravario’ and my crystal gazer – Clare Crystal. Agnes and Katie consulted her and found her rather poor. The Wrights were there, of course. Alexandra only a simple ‘Tea Girl’ but she selected Agnes to have tea with her – such an honour for Agnes. Miss Carl Hentschel was a Tea Girl and her Mother helping everywhere and lots of people I know.

At first I could not get any clients – no-one knew me. The first was a man about 3.30 – a funny sort of thing – then a lady, who was so delighted she went out to boom me and she did – for, for the rest of the day, I was besieged. I could have gone on all night. It was hard work but I enjoyed it. I had such nice interesting people – a few made me feel miserable, they were so unhappy – but some were charming – two insisted upon having my address. One said she would try and get me some engagements – a Miss May Oakley. I kept on till 20 minutes to 6 when Agnes dragged me out to have some tea – and John [Collins, her fiancé] came upstairs – he had been taking tickets from 2.30.

So I had some tea and he had a second tea. We had it from Miss Doake’s table as Katie was away. I had promised to go back at 6 o’clock and there was already a client sitting in the retreat. I kept on till 6.30 when the affair was over for the afternoon and we all four went home feeling very tired. John had to be back before 8 o’clock and we were not back till after 7 – so had to rush about and he had a meal as quickly as it could be got and go off.

Leaving Agnes behind, Katie and I left again at 8 o’clock and went by bus to Kensington. It was all in full swing again. The entertainment going on as before and more theatrical and Ju Jitsu displays and heaps of people. John was taking tickets again as happy as a cricket. I had said I would be back 9 till 10 – but I was pounced upon straight away. I had a horrid few moments when I missed my muff but John found it for me.

We worked till I was nearly done and told about 14 or 16 – and 17 to 20 in the afternoon. I had to refuse more as it was 10.30 and I was so tired – though the people came and begged me to go on. Gladys herself honoured me – and she told me that people were giving up their tickets for the other Palmists to come to me. John seemed playing about all the evening and Katie was serving coffee and cakes. There was an auction of cakes – and I bought a lovely Fullers cake. All the cakes had been given and were simply lovely ones. It was pouring with rain and we had to have a cab to the flat. Got in about 11.30.’

Interesting to see that Edith Garrud was happy to give jujitsu displays for the non-militant society.

For more about Kate Frye and the suffrage movement see here:

Kate Frye cover

 

 

For more about the entirety of Kate Frye’s life see here

cover e-book

Kate was very sympathetic towards the Women’s Social and Political Union and was, briefly, a member. She was particularly concerned about improving the life of her poorer sisters and without a doubt would have loved the film ‘Suffragette’.

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement

Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: Edith Downing’s Hunger Strike Medal

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands in the very many years that I have been dealing in suffrage-related books and ephemera.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Edith Downing's Hunger Strike Medal

Edith Downing’s Hunger Strike Medal

Edith Downing was a sculptor, living in Tite Street, Chelsea, who joined the Women’s Social and Political Union in 1908. Earlier, certainly as early as 1903 – if not before – she had been a member of the London society associated with the non-militant National Union of Suffrage Societies.

Edith Downing in her studio

Edith Downing in her studio

She put her artistic talent to the suffrage cause and in June 1910 she was one of the organisers of the WSPU/WFL’s spectacular ‘Prison to Citizenship’ Procession. As well as the hunger strike medal I also once, quite coincidentally, acquired  a small statuette that she had sold at a suffrage bazaar held to raise money for the WSPU.

Edith Downing was, however, equally prepared to take militant action and in March 1912 took part in the WSPU’s West-End window-smashing raid. As a result she was imprisoned and while in Holloway took part in the hunger-strike and was forcibly fed.

She was awarded the WSPU’s hunger strike medal on her release. For more details of Edith Downing’s involvement with the suffrage cause see her entry in my The Women’s Suffrage Movement: a reference guide.

Scenes of both the window-smashing raid and of forcible feeding are shown very effectively in the film ‘Suffragette’. And I don’t think it’s giving too much away to say that a hunger strike medal plays a small part in the lead character’s conversion to the cause.

The hunger strike medal awarded to Edith’s sister, Caroline Lowder Downing, is now held in the Houses of Parliament collection –  see here. For details about the Suffragette Season of talks and tours (which will, I’m sure, include a chance to see Caroline Downing’s medal) that Parliament has launched to coincide with the release of ‘Suffragette’ see here.

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement

Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: The 1866 Women’s Suffrage Petition

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

 

First page of the 1866 women's suffrage petition

First page of the 1866 women’s suffrage petition

This is – I think – the most important document of the women’s suffrage campaign. It was the foundation for all that came after.

Back in the days when the world was young, there was no internet, and antiquarian booksellers – as well as the layman/woman book-buyer – had to search their quarry among the stacks of brick and mortar bookshops, my time, when not engaged in child care, was spent touring London and the market towns of southern England in search of the books and ephemera with which I and my customers might resurrect the women that were famously ‘hidden from history’.

These days have long passed away – now we need only sit at home and search internet book-selling sites,  trawling through the print-on-demand dross in the increasingly forlorn hope of finding the odd nugget of treasure. The corollary, of course, is that there are now precious few brick and mortar bookshops selling second-hand/antiquarian books.

In those olden days I even thought it occasionally worthwhile to take a tour down Portobello Road on a Saturday morning, not something I have  done  for a long time, now that Portobello’s landlords are handing the antiques arcades over to fashion chain stores. But that particular Saturday-morning visit was memorable because it was in a bookselling alcove in the warrens that stretch behind Portobello Road that I came across one of the most interesting finds of my bookselling career – a copy of the pamphlet edition of the 1866 women’s suffrage petition.

The petition itself comprised  a long scroll onto which were pasted the signatures of the (circa) 1500 women who, in the spring of 1866,  were prepared to put their names to a request (it was certainly not yet a demand) that women who met the requisite  property qualifications , as set out in the Reform bill then under discussion, should be able to cast a parliamentary vote alongside men. The petition had been organised by a group of women who formed themselves into a small informal committee – among their number being Barbara Bodichon, Bessie Rayner Parkes, Elizabeth Garrett, and Emily Davies.  John Stuart Mill, for whom they had campaigned when he had contested – and won – the Westminster parliamentary seat the previous year, had agreed to present the petition.

Emily Davies was the businesswoman of the group and it was she who decided that the names of those who had signed the petition should be printed in pamphlet form and sent to  the weekly papers so that, as she wrote on 18 July 1866 to Helen Taylor (Mill’s step-daughter), ‘ in case they take any notice, they make know what they are commenting on.’  Copies of the petition pamphlet were also sent to members of the House of Commons and the House of Lords.

The copy of ‘my’ 1866 petition pamphlet is, as you see, addressed to Earl Cathcart –  the 3rd Earl, Alan Frederick Cathcart. I suspect he was not overly interested in the rights of women.

I did sell the pamphlet almost as soon as I found it but, before parting with it, had the sense to take a photocopy. That sounds nothing extraordinary, but back in those days photocopiers were not the casual desk accessory that they are today and in order to process the petition’s 38 pages I had to visit the machine in the local library. How glad I am that I bothered to do so. For having easy access to those 1499 names allowed me not only to build up the pattern of political and friendship networks supporting the suffrage campaign that lies at the heart of The Women’s Suffrage Movement: a reference guidebut also provided a starting-point for researching The Women’s Suffrage Movement: a regional survey, in which the part each region, county and town played in the campaign is detailed.

Petition p 20-21

You can see, if your mind works along the same way as mine, what pleasure can be had in attempting to identify all these women. For instance, on this page – chosen at random:

Mrs Kenrick of 9 Dorset Square in 1873 was a member of the executive committee of the Ladies’ Association for the Education of Women for the Medical Association.

Gertrude King of 18 Carlton Hill East, was a member of the Kensington Society (a group of women who met and corresponded in order to discuss the position and prospects for women) and by 1874 was secretary of the Society for the Employment of Women.

Fanny and Jane King, 9 Eden Grove, Holloway, were the wife and daughter of John King, a pianoforte maker, who was one of the oldest acquaintances of William Lovett, the Chartist leader (one of King’s sons had ‘Lovett’ as a middle name). King was a long-standing member of Lovett’s National Association for Promoting the Political and Social Improvement of the People. Artisan radicals such as the Kings were one of the groups contacted by the organisers of the 1866 women’s suffrage petition.

Notice that appeared in the Alexandria Magazine, May 1st, 1864. NB Isa Craig as member of the committee

Notice that appeared in the Alexandria Magazine, May 1st, 1864. NB Isa Craig as member of the committee

Isa Craig Knox of 14 Clyde Terrace, New Cross  – a close friend of Bessie Rayer Parkes – was assistant secretary of the National Association for the Promotion of Social Science, a founder of the Kensington Society and a leading member of the Society for the Employment of Women. For more on Isa Craig see her entry in my Women’s Suffrage Movement: a reference guide.

Fanny Aiken Kortright of  21 Eldon Road, Kensington, was a writer of sensational novels.  She must quite soon have regretted signing this petition, for in 1869 she printed for private circulation a pamphlet AGAINST the Woman’s Right movement, entitled Pro Aris et Focis, which won the approval of Queen Victoria and the sympathy of the then Prime Minister. Eliza and Harriet were her older sisters. Another, married, sister also signed the petition.

Miss Kunz (Miss Mina Kunz) of 19 Royal Circus, Edinburgh was in 1868 on the executive committee of the Edinburgh Ladies’ Educational Association and by 1874 was a member of the Edinburgh Ladies’ Debating Society.

Philippine Kyllman, Fallowfield, Manchester, was the wife of Max Kyllman, a wealthy young Manchester businessman interested in Co-operative matters.  Kyllmann provided capital for a mill established in Manchester by George Holyoake and Edward Owen Greening on a profit-sharing basis – though it quickly failed. For more about Philippine Kyllman see her entry in my Women’s Suffrage Movement: a reference guide.

As for Sarah Kersey of Aldeburgh you can find a little more about her in an earlier post I published about Aldeburgh and the petition.

And for many of the others on these two pages – as on all the others that comprise the petition – something can be discovered about the lives of most of the women who were sufficiently bold as to sign it.

As far as I know the only printed copy of the Petition held in a public collection is that which resides in the  Emily Davies Papers in the Girton Archive.

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement

Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: Christina Broom Photographs The 1911 Suffrage Coronation Procession

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Coronation Procession - NCS Banner

A close-up photograph by Mrs Albert Broom of a section of the 1911 suffrage Coronation Procession showing the tail-end of the ‘Pageant of Queens’.  Immediately behind, as decreed in the plan for the day, is the banner of the New Constitutional Society for Women’s Suffrage, one of only two images of it that I have ever seen.

The queens are, mainly, dressed in medieval costume and the photograph allows a clear image of faces, dresses and jewellery. At the head of the New Constitutional contingent can be seen a couple of figures in graduate dress – and I wonder if they are Alexandra and Gladys Wright – for more of whom see Campaigning for the Vote: Kate Parry Frye’s suffrage diary.

I am going this very day to visit the Museum of London Docklands exhibition ‘Suffragettes and Soldiers: The Photography of Christina Broom’. See here for details.

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.


Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: Christina Broom Photographs The Putney and Fulham WSPU Shop

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

 

Today’s image:

Putney WSPU shop photos 001

My visit yesterday to the exhibition of photographs by Christina Broom at the Museum of London (which I highly recommend – for details see here) reminded me of an intriguing page of photographs that passed through my hands a little while ago.

The key that unlocks the story behind the photographs is the postcard of the Putney and Fulham WSPU shop, positioned in the bottom right-hand corner. This photograph, taken by Mrs Broom, is shown in the exhibition and is discussed in detail by Diane Atkinson in Joannou & Purvis (eds), Women’s Suffrage Movement: feminist perspectives.

The photograph shows a young mother holding her baby, standing outside the shop, which opened at 905 Fulham Road in February 1910. The baby looks to be about 9 or 10 months old. I have identified the copy of Votes for Women that is displayed in the window as the issue for 9 September 1910. The shop windows are packed with WSPU propaganda items – much of which, especially the postcards – such as ones of Christabel Pankhurst, Lady Constance Lytton, Charlotte Marsh and Mary Gawthorpe – are readily recognisable. A poster advertises a meeting to be held by Lady Constance in the Queen’s Hall on 3 October 1910 and there are items of merchandise, such as WSPU scarves and stationery, together with the more homely items, such as eggs and jam that the local branch reported it was pleased to accept to sell for the Cause.

You can see into the shop (the door is open) and there in the background is the banner ‘Taxation Without Representation.is Tyranny’, just as described in the 18 February 1910 Votes for Women issue.

Adjacent on the sheet to the photograph of the shop is a loving shot of the same mother with her baby  – annotated ‘5 months’ – photographed, I would think, in a bedroom. Above that is the same woman and baby, photographed, I think, outside and annotated ‘4 months’. The other three photos are of the baby alone, photographed at 3, 4 and 5 months. Although the photos are glued to the page I’ve peered into their backs and think they were sent to the baby’s grandfather.

The sheet is captioned ‘Joan Morris’ in the same hand as the annotations of the baby’s age, Or, at least, I think it is ‘Joan Morris’. The last two letters of the surname read more like ‘ei’ or ‘el’ than ‘is’ – but there was no ‘Joan ‘born in the baby’s timeframe with a name such as ‘Morrel’, which might be a reading.

There was, however, a Joan Morris born in Fulham on 6 January 1910. In April 1911 she was living with her parents at 19 Arundel Mansions, Fulham Road. If my identification is correct, they are an interesting couple.

The baby’s father was Geoffrey Bright Morris, son of William Bright Morris, the artist (not to be confused with the other William Morris) and his first wife, who was a grand-daughter of Leigh Hunt and who may well have died at his birth.

Baby Joan’s mother was Helen Kathleen Morris (née Macleod), who in the 1901 census, was an actress boarding with William Bright Morris and his family. She would have been about 31 years old in 1910, which, again, accords with the apparent age of the woman standing outside the WSPU shop. The couple had married in January 1909; they had clearly known each other for a long time for William Bright Morris’s second wife was Helen’s aunt. Helen McLeod’s father was a paymaster in the Royal Navy. William Bright Morris died in 1912 – so could have been the grandfather to whom the snaps were sent.

I wish I had been able to find a mention of Helen Morris in the reports for the Putney & Fulham branch of the WSPU – but I must admit that I cannot. She does seem just the kind of person to have taken an interest in suffrage – but, with a young baby to care for, may not in 1910-1911 have been able to devote much of her time to it. However, as Diane mentions in her discussion of the photo, the woman – without coat or hat – and the baby, dressed in a light frock, do seem to have come out from the shop specifically to have been photographed.

In ‘Votes for Women’ the co-organiser of the branch and the shop is given as ‘Mrs H. Roberts’, although no further information about her activities is, as far as I can see from reading through successive copies, ever given and I have been able to find out nothing about her.

So, all in all, an interesting story to be deduced from what might at first glance have appeared to have been an anonymous sheet of photographs. Mrs Broom’s photograph is, of course, the prize. Photographs of suffrage shops are always delightful and this image – taken on an early autumn day more or less exactly 105 years ago – is both artfully arranged and very crisp and clear.

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: The WSPU ‘Flag’ Brooch

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

WSPU flag badge

An enamelled WSPU brooch – in the shape of a purple, white and green flag.

Unusually, it’s possible to date this brooch pretty accurately. It is marked on the back with the maker’s name ‘Toye’, which was in usage between 1898 and 1909 when the passing of a new Companies’ Act meant that henceforward it was known as ‘Toye & Co. Toye produced much of the WSPU merchandise, including the hunger-strike medals. The company is still in business and re-produced the hunger-strike medals that you will able to see being worn in the film ‘Suffragette’.

The 31 December 1908 issue of Votes for Women lists all merchandise that the WSPU was selling at that time – and the flag design is not listed.

However we can see from the 14 May 1909 issue, dating from the time that the WSPU was about to launch its big fund-raising event – the Exhibition at Prince’s Skating Rink in Knightsbridge -, that the number of items the WSPU was selling had increased – and now included this brooch.

It is described as ‘Flag (words “Votes for Women”) 1/- each.’ I fear that over the last 108 years the brooch has rather risen in value. But I think we can be pretty certain that this design was manufactured no later than the Spring of 1909.

Suffragette Film Poster 2

 

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

 


Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: The WFL ‘Holloway’ Brooch

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Women's Freedom League 'Holloway' brooch

Women’s Freedom League ‘Holloway’ brooch

This is the award that was given by the Women’s Freedom League to its members who had been imprisoned. The brooch is in silver with the reverse engraved with the name of the prisoner and the date of arrest. The one in the picture was presented to Elsie Cummin upon her release from Holloway in July 1909.

Elsie Cummin had been born in 1877, one of the large family of Rev Joseph Cummin and his wife, Elizabeth. By 1901 the family had moved into Easebourne Vicarage, where Joseph Cummin was vicar. Mrs Cummin, who died in 1910, had been a suffrage supporter and gave the West Sussex branch of the Women’s Freedom League its velvet banner. Elsie Cummin was both honorary sec and honorary treasurer of the branch, which had been founded in 1908. She spoke at local WFL meetings and held WFL ‘At Homes’ at Easebourne Vicarage.

The Times, July 13, 1909

‘Four members of the Women’s Freedom League were charged on remand with obstruction. [Among] the defendants were ….Elsie Cummin, 32, Easebourne Vicarage, Midhurst….

Chief Inspector Rolfe said that on Friday afternoon he saw the defendants Hicks and Cummin standing by the doorway of the Prime Minister’s residence in Downing-street. They were carrying a roll of paper bearing the word ‘Petition’ and they said that they wished to present their petition personally to Mr Asquith. They were afterwards joined by the other two defendants. Meanwhile Miss Hicks had handed her petition personally to Mr Asquith when he alighted from a motor-car at his residence. At one time there were 300 people in Downing-street, and considerable obstruction was caused. After seeing Mr Asquith’s private secretary the witness told the defendants that Mr Asquith could tell them nothing further, but would send them an acknowledgment in due course. The defendants said that they wanted a date and time fixed for the reply; otherwise they would wait until they got it..

Police Constable 109A said that when Mr Asquith drove up one of the defendants said, ‘We have a petition, will you receive it?’. Mr Asquith asked her to hand it to his messenger, and Miss Hicks replied, ‘No, we want to hand it to you personally.’ Mr Asquith then said, ‘Very well, hand it to me,’ and he then received the petition from Miss Hicks.

[Defence counsel] submitted that the defendants did nothing but stand upon the pavement in a perfectly orderly manner.

The magistrate said that if the defendants would undertake that there should be no kind of disturbance of any description until the appeal in the somewhat similar case of Mrs Pankhurst had been decided he would adjourn the case sine die.

[Defence counsel] said that he could not give any undertaking on behalf of the defendants.

The defendants, on oath, denied that they caused any obstruction.

The magistrate imposed a fine of £3 in each case, with the alternative of three weeks’ imprisonment in the second division.’

Elsie Cummin and her three co-defendants refused to pay the fine and went to Holloway – and it was on her release that she was presented with the ‘Holloway’ brooch.

The reverse of Elsie Cummin's Holloway brooch

The reverse of Elsie Cummin’s Holloway brooch

Elsie continued her association with the WFL for at least two more years. On the night of the 1911 census she was at home with her father and one sister. However, the census enumerator recorded two other of the sisters, who were not present, as ‘Suffragettes wandering about all night’. Elsie Cummin reported that seven members of the branch had boycotted the census. Clearly the Cummin family took the question of women’s suffrage seriously.

The Women’s Freedom League had first presented these brooches as early as December 1908 when Muriel Matters and Mrs Emily Duval received theirs from Mrs Despard at a ceremony in St James’s Hall, Piccadilly. The Women’s Social and Political Union copied the idea and in April 1909 instituted a Sylvia Pankhurst-designed ‘Holloway’ brooch to reward their members who had been to prison. As so often, however, it is the WSPU’s insignia which has had the wider publicity.

Sarah Benett, sometime treasurer of the WFL, wearing her WFL 'Holloway' brooch

Sarah Benett, sometime treasurer of the WFL, photographed by Lena Connell wearing her WFL ‘Holloway’ brooch

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement

Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: ‘Pank-A-Squith’

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Pank-A-Squith

Pank-A-Squith

Pank-A-Squith was a board game, first advertised in Votes for Women, 22 October 1909.

The board is green and purple and the spiral track illustrates the difficulties encountered by Mrs Pankhurst and her supporters. It is played by throwing a die to move figures around the board – like Snakes and Ladders.
As issued the board was square but this particular board was altered at some point in order to set it within a circular wooden frame.

All too often the figures that were issued with the game – and were moved around the board – are missing.

In December 1909 Mary Blathwayt, a keen WSPU supporter from Bath, recorded in her diary that she had bought a game of Pank-A-Squith and in July 1910 that she and Annie Kenney played it together as they passed an anxious time while Annie’s sister, Jennie Kenney, was being operated on at Mary’s home, Eagle House, Batheaston.

Suffragette Film Poster 2

 

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement

Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: ‘Elusive Christabel’

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Elusive Christabel

Elusive Christabel

‘Elusive Christabel’ is an optical toy produced by the Flashograph Co in 1912. It alludes to Christabel Pankhurst’s escape to France in March 1912 as the police closed in on Clement’s Inn and arrested the other leaders of the Women’s Social and Political Union and charged them with conspiracy to commit criminal damage.

When – as commanded – you move the paper control ‘up and down gently’ the scene changes to this:

Elusive Christabel 1

The WSPU had a lot of fun at the expense of the police, publishing photographs of Christabel in Votes for Women and asking readers to guess where she might be. The Flashograph Co clearly had an eye for topicality.

Needless to say ‘Elusive Christabel’ lives up to its name and is exceptionally elusive nowadays. I’ve only ever had one pass through my hands in over thirty years of dealing in suffragette material.

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement

Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: ‘Panko’

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Panko

Panko

Panko was a card game, published by Messrs Peter Gurney Ltd. The cards were designed by E.T. Reed, a Punch cartoonist.

Panko was first advertised in the issue of Votes for Women for 10 December 1909, claiming ‘Not only is each picture in itself an interesting memento, but the game produces intense excitement without the slightest taint of bitterness’.Panko Rules - Copy

Mary Blathwayt – the ardent Bath suffragette – gave her mother a pack as her Christmas present and I’ve no doubt that Panko was in many another suffragette’s Christmas stocking that year.

Suffragette Film Poster 2

 

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement

Suffrage Stories/The Garretts And Their Circle: The ‘Ascent Of Woman’ and Millicent Fawcett

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In four programmes shown on BBC 2 Dr Amanda Foreman has roamed the globe and travelled through the millenia to uncover stories of women who have made and changed human history from 10,000 BC to the present day.

You can – for a short time – view all four programmes on the BBC iPlayer – click here.

ifawcet001p1Episode 4 – ‘Revolution’ – includes a section in which I talk to Amanda about Millicent Fawcett – highlighting her work as a champion of women’s education.

The filming was done in my drawing room – and it was an interesting and enjoyable way to spend a morning – talking about such an agreeable subject with someone so passionate and knowledgeable. Especially so as barely a month previously I had been lying on an operating theatre table. It was good to get back to ‘work’.

For much more about Millicent Fawcett – and all the other Garretts – see Enterprising Women: the Garretts and their circle.

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement


Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: ‘The Suffragette Puzzle’

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

The Suffragette Puzzle

The Suffragette Puzzle

Yet another game based on the difficulties encountered by suffrage campaigners.

‘The Suffragette Puzzle’ was produced by F.H. Ayres Ltd, 111 Aldersgate Street, London and was launched in 1908. It required considerable dexterity ‘To get the Women’s Suffrage Bill through the Houses of Parliament’ – although rather less than the real-life  effort demanded of the suffrage societies;

This game is extremely scarce – I’ve only had this one example for sale in over thirty years of dealing in suffrage ephemera.

Suffragette Film Poster 2

 

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement

 


Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: ‘The Suffragette’– A 1913 Feature Film

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

 

Today’s image:

Britannia Films still 1

Yesterday I was invited to the cast and crew screening of ‘Suffragette’ and had my second opportunity to see the film. It gets better each time. Travelling home on the bus I realised that today’s post just had to be about a 1913 film coincidentally – although perhaps not surprisingly – called ‘The Suffragette’.

Above is a still from the film – one of a sequence in a photograph album that I discovered.

On the front cover of the album was the remains of a printed label for ‘Britannia Films’. This film company was set up by Pathé at the end of 1911 to produce British feature films, while Pathé continued to produce newsreels.

At the end of 1913  ‘The Suffragette’ was one of the films released by Britannia Films. The description given of the film by the British Film Institute – which I faithfully recorded in the list of ‘suffragette films’ in The Women’s Suffrage Movement: a reference guide–  is of the vaguest – ‘A disowned schoolmistress’s uncle destroys her father’s amended will ‘ And yet this hokum plot can be followed through the first 17 film stills in this ‘Britannia Films’ album.

The scene shown above is set in a suffragette office, its walls lined with (real) newspaper posters – such as one recording the death of Emily Davison at the 1913 Derby. In another the heroine is setting light to a fuse leading inside a house – suffragette arson.

Another still shows two women lighting a fuse that trails back into a house. I don’t think it’s giving too much away to say that there is a rather similar scene in ‘our’ ‘Suffragette’.

The International Movie Data Base (see here for details) names the actress playing the heroine as Agnes Glynne and a male lead as James Carew (who was, or had been, the very much younger husband of Ellen Terry).

As there is no extant copy of the film and the British Film Institute holds no archival stills – these images are the only known surviving record of this once topical film.  As so few records survive of the spate of films that featured suffragette themes this one, clearly filmed between June 1913 (because it features the Derby poster) and December 1913 (its release), is an important survivor.

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement

Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: The WSPU Flag

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

 

A WSPU Flag

A WSPU Flag

The flag is 68.5cm ( 27 “) wide x 132cm (52”) long and comprises three linen sections, stitched together very neatly – one each of purple, white and green (from the top in that order).

This item would not, I have thought, been free flying – but rather pinned up at a WSPU meeting or in a shop or at a bazaar.

Pankhurst meeting flags

One can see such flags draped here behind the platform where Mrs Pankhurst, Christabel and Mrs Pethick-Lawrence are addressing a suffrage meeting (with Elizabeth Garrett Anderson sitting immediately to Mrs Pankhurst’s right).

Presumably after it had had its day, the flag was neatly folded up and consigned to an attic – to reappear 100 years later. This is the only example of a WSPU flag that – in over 30 years of dealing – I have ever had for sale and I’m pleased to report that it went to a very good home – the House of Commons.

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement

Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: The ‘Woman’s Rights’ Kerchief

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

 

Woman's Rights Kerchief 1

‘Woman’s Rights 1861/1981 And What Came Of It’

This is a white cotton kerchief ,measuring 22.5″ x 24″. It dates – presumably – from 1861 (the Design Registration No is 364805) and the very stylish illustrations printed on it show what the world would be like 120 years into the future – ie in 1981 – when women had won their Rights.

Thus women appear as barristers and judges, as admirals, captains and sailors, as athletes, as telegraph girls, as astronomers, scientists and – and who can now restrain their laughter – as politicians. The men, meanwhile, mind the babies, do the tatting and are parlour maids and house maids.

The kerchief – designed four years before the presentation of the first suffrage petition – contains all the tropes – the embodiment of light-hearted, but deeply-rooted prejudice – that are now so familiar to us through the comic postcards that were produced in response to the suffragette campaign in the years before the First World War.

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement

Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: Flyer for WSPU Window-Smashing Demo on 21 Nov 1911

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To celebrate the release on 12 October of the film ‘Suffragette’  (with which I had a slight association) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

WSPU invitation to demonstrate outside the House of Commons on Tuesday 21 Nov 1911

WSPU invitation to demonstrate outside the House of Commons on Tuesday 21 Nov 1911

As Emmeline Pethick-Lawrence mentions in this leaflet, she – with Christabel Pankhurst, Annie Kenney, Mabel Tuke, Lady Constance Lytton and Elizabeth Robins – had represented the WSPU in a joint deputation from all suffrage societies to Asquith and Lloyd George to protest against the government’s intention to introduce a manhood suffrage bill, which just might, if the House of Commons desired, be amended to include women. This had been a bitter blow to suffrage campaigners who had pinned their hopes on putting before Parliament a Conciliation  Bill – which would have enfranchised a proportion of women.

The deputation had received no comfort from Lloyd George and Asquith and this flyer was the WSPU’s response.

Kate Frye, whose diary I have edited as Campaigning for the Vote: Kate Parry Frye’s suffrage diary (click here for details), went along to Parliament Square that Tuesday evening. In fact it was she who laid this very flyer between the pages of her diary and thus preserved it. She was an organiser for the New Constitutional Society for Women’s Suffrage [NCSWS] but rather sympathetic to the WSPU – and always liked to be on the scene of any dramatic action.

This is what she wrote of the evening in her diary:

‘I went in to Lyons and had coffee and a sandwich. Who should I happen to sit next but Miss Ada Moore [an actress and active member of the WSPU] and 2 ladies – ready for the fray. I wonder I wasn’t arrested as one – for I soon realised I was dressed for the part to the life. Long cloth ulster or coat, light hat and veil was the correct costume – no bag purse – umbrella or any extra. I only had enough money to get home with in my coat pocket – the rest I had put in the suit case – the latch key was slung round my neck. It was awfully exciting – one felt like a red revolutionist.

Miss Moore & party left at 7.30 – her work lay in Whitehall, she told me – but she looked very white and strained and we did not talk much. I began to feel pretty green with all the force of strife in the air – I felt I too should only be in my rightful place when officially performing.

I left Lyons at 7.45 and strolled about. At the stroke of eight there was smashing of glass at some government office – the War Office I took it for – and I saw several – 8 or 9 or more – ladies  led off – all very quietly done – no rough usage – no struggling. I followed them down Whitehall to Canon Row. More arrests – more broken glass – more crowds, a little jostling – people being moved on this way or that way – for the most part silent crowds – growing bigger and bigger – a rush to see another  arrest – a bigger crowd surging up the street following the policeman with the arrested women but oh! what a different scene from last year when the women were so brutally knocked about.

I suppose the crowd was worse over the other side of Parliament Square but I was too timid to wander far, and I met Mrs Hartley [a founder of the NCSWS], her daughter, 2 friends and Miss Green and we all kept together, and we shouted whenever a prisoner was led along – “Bravo” “Well Done”. People took it up – but for the most part stood and watched silently. As far as I could see there no ill feeling whatever from the crowd to the women – the men stared solemnly at the proceedings.

We met Mrs Chapman and Miss Forsyth. Mrs Chapman [president of the NCSWS] was anxious as her daughter, Mrs Mansel,  was ‘in’ it. We stood talking and got a crowd round us so had to “move on”.

We saw Mrs Pethick Lawrence led into Canon Row. There was a good deal of excitement then a huge crowd pushing along with her and other ladies. It was awfully cold and it was all very dreadful but I have never seen work better done – nearly every window in Whitehall with a large round hole right in the centre. Downing St was guarded. No one was allowed near.

Then people seemed drifting away so I made my way to Charing Cross – got my suitcase from the cloak room.’ 

This demonstration was the first to use mass window-smashing tactics – a later, similar, event is shown near the beginning of the film ‘Suffragette’. On 21 November 1911 220 women and 3 men were arrested and the next day around 150 of these were sentenced to period of between five days’ and two months’ imprisonment.

Kate Frye cover

Suffragette Film Poster 2

Copyright

All the articles on Woman and Her Sphere are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgemen

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